Operetta Radio, Variety Show and the with the FM Broadcast Audio Symposium and NetStreams ON Radio FRO (Linz) and Radio Helsinki (Graz)
3-5 August 2016, 00: 00-01: 30 nightly
The Hydrofemme in Three Acts
From the South China Sea to the Danube river, minor ripples become the waves by which the hydrofemme contests the neocolonial frontiers of water in defense of an oceanic commons of substance and thought.
WIDOW RADIO CHING rewrites a fragmented and amorphous ode to the hydrofemme as a sonic essay in (radio) waves, transmitting her as a multi-headed heroine who traces the fissures between bottom-up social organization and top-down politico-economic power. Weaving together textual narrative, sound works, and dialogue with invited guests, WIDOW RADIO CHING will unfold in three acts following a trajectory of queer time — divested of concrete future aims and abandoning overarching, streamlined narratives of the hope and optimism that govern our contemporary political, economic and environmental ecosystems. Beginning from the critical dystopia that is our science fiction present, migration, extraterritoriality and environmental degradation shall take new course expanding upon feminine myths of liquidity, fluid identity and alter-sovereignty in labour.
Featuring contributions from: Shu Lea Cheang, Deborah Cowen, Natalie Galpern, Annie Goh, Aurelia Guo, Elaine W. Ho, Komposter, Ming Lin, Astrida Neimanis, Kate Rich, Pelin Tan, Kaitlin Rees & Liam Welch, Tortuga, Eva Ursprung, et al .
Monument of Apron opened shop in 2015 as an experimental e-commerce reading experience and the online notebook of various co-conspirators along with artistic research collective Display Distribute. Collating both old and new labours of networked, female work, its 'products' feature the overstock of various projects and observations along with a surplus of thought and transaction. To 'purchase' an article here demands a re-evaluation, turning the dynamic of producer and consumer on its head with a series of questions. Be prepared to work for your 'fulfillment'.
Monument of Apron, or 圍群—a word play combining 圍裙 wéiqún (apron), that timeless utilitarian garment, with 群 qún (group, crowd, caboodle or gang)—considers all those relegated to under-compensated, thankless tasks and encourages the donning of the apron. The pocketed apron lends itself further to secrecy and theft—caching what’s owed and stowing it away for otherwise circulations. An apron is also a protector and shield. For the aproned squad, communication across picket fences and gossip are key forms of solidarity—modes of redistributive practice towards an undercommons.
參與者 With Contributions by
鄭子翹 Sonia CHENG、何穎雅 Elaine W. HO、凌明 Ming LIN、刘颖 Dongdong LIU Ying、Desireè MARIANINI、瞿暢 QU Chang、郭圓瑩 Ying QUE、吳索 Amy Suo WU、谭争劼 TAN Zhengjie
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